Ahmet Ertegun, the music magnate who founded Atlantic Records and shaped the careers of John Coltrane, Ray Charles, the Rolling Stones, Led Zeppelin and many others, died today in Manhattan. He was 83.
A GT12 Favorite, Joe Tex
Mr. Ertegun was the dapper son of a Turkish diplomatic family. He was equally at home at a high-society soiree or a rhythm and blues club, the kind of place where, in the 1950s, he found the performers who went on to make hits for Atlantic Records, one of the most successful American independent music labels.
Atlantic was the House That Ray built
He was an astute judge of both musical talent and business potential, surrounding himself with skillful producers and remaking rhythm and blues for the pop mainstream. As Atlantic Records grew from a small independent label into a major national music company, it became a stronghold both of soul, with Aretha Franklin and Otis Redding, and of rock, with the Stones, Led Zeppelin and Yes.
Mick and the Boys sing their first Atlantic single
Zep:
Ever conscious of the music’s roots, Mr. Ertegun was also a prime mover in starting the Rock and Roll Hall of Fame and Museum in Cleveland.
CS&N:
Along with a partner, Herb Abramson, Mr. Ertegun founded Atlantic Records in 1947 in an office in a derelict hotel on West 56th Street in Manhattan. His initial investment of $10,000 was borrowed from his family dentist.
The Coasters
By the 1950s, Atlantic’s records had developed a unique sound, best described as the mixed and polygamous marriage of Mr. Ertegun’s musical loves. He and his producers mingled blues and jazz with the mambo of New Orleans, the urban blues of Chicago, the swing of Kansas City and the sophisticated rhythms and arrangements of New York.Solomon Burke and The Stones
In 1954, Atlantic released both “I Got a Woman” by Ray Charles and “Shake, Rattle and Roll” by Joe Turner. (Mr. Ertegun was a backup singer on “Shake, Rattle and Roll”). The songs had a good beat, and people danced to them. They were among the strongest roots of rock ’n’ roll.
Aretha, the Queen of Soul:
By the 1960s, often in partnerships with local labels like Stax in Memphis, Mr. Ertegun was selling millions of recordings by the leading soul musicians of the day, among them Ms. Franklin and Mr. Redding. Ms. Franklin had recorded previously for Columbia Records, but her hits for Atlantic — which merged her gospel roots with an earthy strength and sensuality — were the ones that made her the Queen of Soul.
Otis:
The Ertegun brothers and their partner, Mr. Wexler, sold the Atlantic label to Warner Brothers-Seven Arts in 1967 for $17 million in stock. Four years later, the brothers took some of the money and founded the New York Cosmos soccer team.
Solomon Burke
But Mr. Ertegun kept making records. When the Kinney Corporation — a conglomerate of parking lots, funeral parlors, rental cars and other unmusical enterprises — completed the acquisition of Warner Brothers-Seven Arts in 1969, he and his label kept going.Neil Lets the Weenies join him
Mr. Ertegun was now a rock mogul. Atlantic Records signed the Stones, Led Zeppelin and Crosby, Stills and Nash, who became Crosby, Stills, Nash and Young after Mr. Ertegun persuaded Neil Young to join the group. The corporations changed — Kinney turned into Warner Communications, which became Time Warner — but Atlantic and its founder still flourished.
1 comment:
He will indeed be missed.
Thanks for at least name-checking Yes BTW; he was indeed responsible for signing them. I couldn't help but notice that they were missing from the roster of clips however...*RAISED EYEBROW* but that's OK. So here's one of em during their much-overlooked jazz-rock era, andd featuring a certain Mr. Steve on the Fender Telecaster.
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